Sunday, August 21, 2011

THE NEW YORK RIPPER (1982)





PLOT
The city so good they named it twice has a duck-quacking psycho killer on the loose

REVIEW
“He used a blade, he stuck it up her joy trail, and slit her wide open”

Lucio Fulci is the man

THE BEYOND, CITY OF THE LIVING DEAD (aka THE GATES OF HELL), HOUSE BY THE CEMETERY, ZOMBI 2 known to many of us as simply ZOMBIE, if you're a horror fan I need not say more, all stupendous gory examples of classic Italian horror that established Fulci in the company of other great Italian horror directors such as Dario Argento and Mario Bava. While I love his work one title from his filmography that always escaped me was THE NEW YORK RIPPER, it was always on my list of “must watch” films and seeing as how I'm currently on a big Italian horror fix I finally caved in and put on Lo squartatore di New York

THE NEW YORK RIPPER wastes no time and is quickly set in motion, 10 mins into the movie the Ripper's first kill is committed in all it's tit-stabbing glory. The backdrop to all the carnage is the wonderful big apple circa 1982, where our main protagonist police Lt. Fred Williams is on the hunt for the sanguinary sadist. The ripper is never actually seen on screen, thus the real identity is shrouded in mystery, although we get our first suspect in a mysterious man missing two fingers who hits the streets for porno shops and adult movie theaters offering the most sextacular sexciting and sexational live xxx shows on their marquee. But is he the New york ripper? ..?? ?...?

Regardless one thing is certain, the ripper is crazier than a shit-house rat, pussy-impaling helpless girls all the while duck-quacking and taunting the police with conceited glee. There's no hockey mask, no fashionable attire, no funny banter, even his killing implements are beyond simplicity, the one thing that defines the NY ripper is pure bat-shit insanity. It's a trait shared with other human movie killers like Leatherface and Norman Bates, driven by psychosis and an eccentric murderous desire that needs to be filled, in this case, killing beautiful spry women

The ripper likes to work messy too

Nothing near the eye-poking of ZOMBIE or head-explosion of THE BEYOND, but the red indeed flows in formidable amount, that and the T&A, lotsa nudity, sexual situations, including what must be one of the only instances of a foot-job displayed on film outside of porn. Who knows what compelled Fulci and co. to believe that what the movie needed was a dude taking his moccasin off and going to town on a girl under a table with his bunion but what the hell. The movie is amusing in that way, playing mostly on exploitation whether sexual or homicidal, now does that work enough to make a good film? To some degree

THE GOOD
.Good gore
.Not seeing the killer on screen is effective

THE BAD
. The soundtrack is quite disappointing, Fulci's horror films typically have great music but this one is really sub-par

THE FINAL CURTAIN
I was not disappointed, although I considered it a lesser film compared to other Fulci films I still enjoyed it, although not as much. Certainly not a bad film, actually very decent, but not without it's faults, although any other grievances are somewhat minor and I resist discussing them as they would reveal too much, also they're not worth analyzing when you stack them up against the rest of the film, which is damn good

I would deem this an adequate film, there really isn’t much of a payoff, there is, but I’ll admit not that much, but sometimes there doesn’t have to be, sometimes you just want good ole meat and potatoes heavy on the sauce

It's worth a look, if possible via blu-ray

RATING 7






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